The gospel of Luke is obviously quite different from the two other gospels we have already read. In fact, “none of the specific stories of Luke’s narrative occur in Matthew, just as none of Matthew’s appears [in Luke].”1 This makes me wonder, how do Christians reconcile these stark contradictions form gospel to gospel? According to Matthew and Luke, Mary and Joseph came from different hometowns, and Jesus has a different genealogy in each gospel. Without even going into the vast differences in the ways in which Jesus is portrayed and the details of his life, these basic contradictions would make it very difficult for me at least to interpret the bible from a faith-based perspective. I don’t understand how anyone can justify a literal interpretation of the bible, what with so many contradictions, and yet people do.
The crucifixion scene in particular casts Jesus in a different light. In Luke, Jesus remains calm and collected, conversing with the criminals being put to death next to him and even asking God for forgiveness for those heckling him. This crucifixion scene makes most sense to me in terms of teaching the importance of selflessness and faith in the unknown. Luke’s Jesus sets what seems like an excellent example of how early Christians might urge others to act; Jesus shows them that there is nothing to fear, not even death as long as they believe in the Lord. He also relays the message that everyone deserves forgiveness, and advocates for a “turn-the-other-cheek” mentality when he asks forgiveness for those doing wrong to him. This makes me wonder why Mark chose to portray Jesus as momentarily losing his cool and almost panicking as he is about to die on the cross. Luke’s messages during the crucifixion scene seem clear, but what was Mark trying to tell people by having Jesus question God?
1. Bart D. Ehrman, The New Testament: A Historical Introduction to Early Christian Writings (New York: Oxford, 2000), 117.
Ehrman, Bart D. The New Testament: A Historical Introduction to Early Christian Writings. New York: Oxford, 2000.